by Bill on October 27, 2011

Søren Kierkegaard… feared that the advent of the camera would create one single portrait of us all, obliterating the treasure of our differences. Hayward being a worldly flâneur would seem to take issue with the eminent Dane. – Richard Merkin, Vanity Fair

POSTER_MASTER_ZOE_2_BLOG

Bill Hayward’s film Asphalt Muscle & Bone – An exhibition of “Excerpts” in stills and motion at Gallery Castello 780, Venice, Italy September 4 – 12

Chasing Dragons - Book Cover

Publisher’s Weekly Fall 2015 Announcements Issue featuring CHASING DRAGONS: AN UNCOMMON MEMOIR IN PHOTOGRAPHS

Chasing Dragons: An Uncommon Memoir in Photographs by Bill Hayward tells the story of one artist’s quest for self-discovery and new modes of expression, tracing the evolution of photographer Hayward’s work from traditional portraiture to increasingly abstract and altered images, figurative paintings, dance, performance, and film.” – Publisher’s Weekly

The House of Dragons – manner #3

by Bill on May 1, 2015

©billhayward_HouseOfDragonsRoom#3

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The House of Dragons new york    “Asphalt, Muscle & Bone”

 

Beauty Is No Show

by Bill on January 6, 2015

 

Beauty Is No Show – bill hayward with jordan marinov, jason novak, bret mosley

Beauty Is No Show

by Bill on December 19, 2014

 

Beauty Is No Show – bill hayward with jordan marinov, korhan basaran, collin couvillion, jason novak

cuttoharddance

In silence, some stills…salts and forms that exist as possibility inside the cinematic “stick dragging/mark making” that is the film asphalt, muscle & bone.

 If you were to look back through the “thousand year windows” of the film’s fat river hotel,  witness the formative risk and play, these are the forms and sculpture that presage body, movement, set and costume.

– Beauty is no show –

 

Inconsistent_MaterialsWEB

…carnal rags, the scent of renovated time…somebody’s heart…

(cross fade to abandoned figures)

©billhayward_Shout.001In silence, some stills…salts and forms that exist as possibility inside the cinematic “stick dragging/mark making” that is the film asphalt, muscle & bone.

 If you were to look back through the “thousand year windows” of the film’s fat river hotel,  witness the formative risk and play, these are the forms and sculpture that presage body, set and costume.

Beauty is no show.

spacer-2inch

 

Bill Hayward and Psychology Tomorrow at The High LIne Hotel for Fashion Week NYC -2014